The development of Chinese jade history

There is a saying in China: "Jade is not a jealous, not a device." Practice has proved that all kinds of jade can only become an exquisite art treasure through the ingenious conceiving of the jade artist, and the jade can also reflect the expensive commercial value.

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The great poet Wei Yingwu of the Tang Dynasty once wrote in his "Jade Jade": "There are no objects in Qiankun, no articles in Zhibao. The carving is a world, and the truth is hurt." Probably means that the jade is a heavenly spirit, and those craftsmen are very strong. The eaglely carved jade has become a secular thing, and its true beauty is truly destroyed. The poet pursues a spirit of natural carving, and this kind of sentiment is similar to Gong Zizhen's "Medical Museum". Moreover, this way of borrowing lyrics is worthy of advocating in the lyrics of its ideological realm. The simple and pure natural carvings do not need to impose artificial factors. Although it is a simple and unpretentious pursuit of returning to nature, the aesthetic character of nature is not ubiquitous and geographically selective. The same scenery is placed on the remote Yungui Plateau. It is pure, and it is devastated on the outskirts of the bustling city. Not everything is perfect, so artificial addition is essential.

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Since jade has advocated carving since ancient times, it can enter the human activity space. We will also drop some clichés and talk about the question of whether or not jade is carved.

Often we will encounter a no-life card or simply carved jade, the answer is often to maintain the original characteristics of jade. If the material is very good, this reason is justifiable. But most of the flowers we see are actually not very good, and some are not even enough. Just because there are a little bit of artistic background, and the material is thin. After the merchant's high degree of polishing, the foundation is not so thick, the head becomes a little better.

"Clear water out of Hibiscus, natural to engrave" Yuyu maintains the overall appearance of jade material, making large ornaments or artworks more suitable, but for the niche flower pieces, but leaving traces of carving, more appreciation value. The bas-relief-style enamel technique of "Zigang Brand" combines the shape of the material with the meaning of the figure. Quoting the professional saying that the characteristics of Zigang brand "empty, floating, fine" are empty, which is the contrast between the virtual and the real, the dense and proper, making people feel cumbersome and have a sense of spirit; floating, is vivid, smooth lines, It makes people feel sluggish and has a sense of etherealness; the fineness is the fineness of the workmanship and the exquisite design, which makes people feel rough and skillful.

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Therefore, whether jade should be embarrassed or not, Xiao Bian believes that it is still necessary, the ancient language: "Jade is not awkward, not a device; people do not learn, do not become a material" 琢 璞 jade, beautiful jade out. Tang Taizong also said: "While jade has a beautiful quality, it lies in the stone, not worthy of good work, and no rubble." The meaning is that the jade in the stone has the beauty of beauty, but there is no fine carving, and broken The stone is almost there. If a good jade material is not carefully carved, it will not exert its artistic conception and value. Naturally, there will be no beauty, and there is no way to talk about the value of viewing and collecting.

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