YOEYYOIJ2018 is trying to deduce the cherry blossoms and deaths/intuitions from the classic screens and perform "everything irretrievably but only everlastingly." This season's inspiration comes from the absurd romance movie "Doll" by the Japanese film industry expert Kitano Takeshi. Sad love is the most extreme violence, an accident, a wrong decision, may make their love even buried in a lifetime, love is so fragile, we are all their own emotional dolls. YOEYYOIJ2018 is trying to deduce the cherry blossoms and deaths/intuitions from the classic screens and perform "everything irretrievably but only everlastingly." This season's inspiration comes from the absurd romance movie "Doll" by the Japanese film industry expert Kitano Takeshi. Love is poetry/prose and fairy tale. But more often, in that gorgeous, torn, The sadness, coldness, and innocence revealed through the entangled colors It is as if the 'light' is the 'shadow' that is accompanied by light. This time, 56-year-old Kitano Takeshi put down his knife/knit three modern love stories. The moving scenes, graceful movements and gorgeous costumes have experienced this vicissitudes of life. After the banter of "Everybody is doing" and the deep and heavy "Fireworks", Began obsessed with finding a persistent attachment. In the early autumn series / 'green' is the color that the designer conveys about burgeoning, growing, The 'white' explains the most innocent, pure state of love. The elegance and splendor of metal yarns, mulberry silk, and the comfort and leisure of corduroy and combed cotton. Adapt to the match needs of more occasions. Detail of small rotator sleeves and pearl pendants Dealing with this series added a little girlish temperament to the brand's overall tone. Through the four seasons/we love to fall in love one after another, and enjoy a cup and a drink based on ordinaryness. Blended with sweet, jealous, hopeful, painful cocktails. In the end, the pair of crazy men and women hanging on the branches of the cliffs, the costumes waving in the wind like two dolls. Waiting for fate We truly understood that these people were all dolls that were played on the line. Intertwined with the two lines of the locusts and the touching of the moment, they can never escape the fate of the fate.
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